Space Weekly report bids farewell to the year with a summary of the most notable events of 2023. On DMAX, the documentary series Spain uncovered digitally recreates the monuments of the national territory. On DMAX, a selection of the best episodes of Gold Rush: Lost Mines. In the cinematographic field, a splendid and very hard work by Javier Fesser stands out, Path, and a magnificent thriller by M. Night Shyamalan, The protected one.
‘The Protected’
15.05, AXN Movies
The Unbreakable. USA, 2000 (99 minutes). Director M. Night Shyamalan. Cast: Bruce Willis, Samuel L. Jackson.
It is always a good idea to review films like The protected one, which reflect the almost visionary quality of an author like Shyamalan. A tribute to the world of comics, as bold as it is exciting, which creates correspondences in the real world for the heroes of comics. The result is a superb thriller, but also a dense plot that moves between electric shocks, wrapped in a staging of undeniable classical spirit. The sequence in which Bruce Willis’ character tests his strength before the gaze of his son, which in the hands of any upstart would have become a whirlwind of shots without any order, reveals a filmmaker of immense wisdom, a wizard of rhythm, of editing and of the handling of cinematic space.
The great monuments of Spain
16.00, DMAX
![Documentary series Spain uncovered, broadcast on DMAX](https://imagenes.elpais.com/resizer/v2/NX3TADGP7RCFXOJEWDBQWSZTK4.jpg?auth=8d7d791c30ccee664911f111771bbee96334fd7b41708db9aa32ca987ad6bd9b&width=414)
The documentary series Spain uncovered proposes a journey through time through the digital recreation of the stories of the main historical monuments of Spain. This installment will explore the chronicle of some of the most emblematic places in the country such as the Sagrada Familia, the Alcázar of Segovia, the Alhambra or the cathedral of Santiago de Compostela.
Gold prospectors in the mines
16.00, Discovery Channel
![Gold Rush: Lost Mines, broadcast on Discovery Channel](https://imagenes.elpais.com/resizer/v2/WCENWEWMQBA2LCKC7MND6D7JKA.jpg?auth=d404ffbdc1241d919715845c93542125418e460081fc4e59147942ca5a064ab1&width=414)
Discovery Channel bids farewell to the year in the company of the most tireless gold seekers. Today and tomorrow, the channel broadcasts a selection of the best episodes of The Gold Rush: Lost Mines, which follows Dave Turin’s team as they travel across the United States helping families reclaim their ruined mines. With his experience and the financial backing of some investors, he will search for an abandoned mine that will allow him to make the profit that the families need.
Summary of the year, in ‘Weekly Report’
1, 21.30
![anti-crisis decrees](https://imagenes.elpais.com/resizer/v2/BFQSYHFZQ5A2DMEFPKA5U5LLRE.jpg?auth=7bf1471cb1dfabb769b6dcc27756f5a03189317e46005a1f8c10689053d98955&width=414)
Three reports serve to Weekly report to present a summary of 2023. The first of them reviews what happened in the Spanish political scene, in a year with a motion of censure, two electoral calls and two investitures. Next, the program will take stock of the main news in social, cultural and sporting terms. Finally, it will look at itself to point out a year in which it has celebrated its 50th anniversary.
‘Path’
22.00, Movistar Spanish Cinema
![The Road, by Javier Fesser](https://imagenes.elpais.com/resizer/v2/F6JIEDFYBZDP5E7KZ4ZRMAXB3A.jpg?auth=b2e1029b1afe37b06e0d263793e9ab71af9526b39c6224b77333246a25fb168c&width=414)
Spain, 2008 (143 minutes). Director: Javier Fesser. Cast: Nerea Camacho, Carmen Elias, Mariano Venancio.
Javier Fesser’s third film is an aggressive portrait of religious fanaticism. It is also a tale, at once tender and terrifying, about princesses and monsters, a disturbing social sketch and a battle between light and darkness. Path opens many fronts in his admirable story. And he approaches them with rigor and serenity. His protagonist is an 11-year-old girl, suffering from an incurable disease, educated to accept death as a divine plan. In her bright and sorrowful eyes, lives the desire for happiness. In her environment, tragedy and suffering are jealously nurtured in the name of the afterlife. The images of Path, Cruel but beautiful, they are full of suggestions and emotions. Thus, Javier Fesser achieves not only a memorable film, but also a lacerating invitation to reflection.
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