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    A literary geography of Spain | TV | The US Print


    Younger poets have at all times held a fascination. Probably the most well-known: Arthur Rimbaud, who left all of it in writing on the age of nineteen. There were others nearer, in area and time: Claudio Rodríguez, Elena Medel, Luna Miguel. Then the younger poets stop to be. Some as a result of they prevent being poets, like Rimbaud, who turned into an hands broker. And others as a result of they prevent being younger. Mario Employee, 19 years outdated, he’s nonetheless a poet and he’s younger, a prodigy with jackpot prizes in his backpack, an excellent disciple of Juan Carlos Mestre and proprietor of an atypical oratory, by which lyric, poise and dedication are blended. His hair, ruffled as though by way of electric affect. And, additionally, now not least, he’s great.

    Now Obrero could also be a tender tv presenter. he drives area A rustic to learn, in Los angeles 2, which travels across the Spanish geography getting to understand its writers however, above all, exploring its literary scenes. One wonders, looking at this system, what makes a town “literary.” That there are writers, bookstores, gatherings, shows and all of the paraphernalia of the “international”? That some noteworthy works happen in its streets? Or is it a precedent situation, which is living in historical past, in customs, within the other folks, in the way in which of conjuring up and imagining that literature favors? It is not transparent.

    A rustic to learn is gifted as a literary adventure, and will shed some gentle in this: the prominence of town in every episode competes with that of the interviewees, as a result of native booksellers, corners, landscapes or nameless passers-by who counsel books additionally seem (in addition to different writers or newshounds: such a lot of books are advisable on this program, far and wide, that from time to time the narrative disperses, and a definite studying anxiousness arises). Studying golf equipment or readers in a Tenerife jail also are visited: the readers, the incessantly forgotten base of all this literature racket.

    The structure follows the similar trend as A rustic to hearwith Ariel Rot, with the musicians; A rustic to chuckle, with Goyo Jiménez, with the comedians; both flamenco paths, with Miguel Poveda, with different musicians, flamencos. With an impeccable invoice, Obrero travels to Granada, Bilbao, Tenerife or Barcelona, ​​puts the place he walks with a soundtrack and sluggish movement (right here the towns at all times glance gorgeous as fashions) and meets writers, a few of the ones shall we name “rising”. and a few of those who shall we name “consecrated”. In Granada two poets: the ever-present Luis García Montero and Rosa Berber. In Barcelona, ​​Enrique Vila-Matas and Najat El Hachmi. Have a look at Agur and Aixa de l. a. Cruz in Bilbao. Or Andrea Abreu and Juan Cruz in Tenerife. For now.

    The advantage of speaking about books is that the whole thing suits in them, so speaking about books is speaking about anything else (even supposing on this program the interviews on occasion focal point an excessive amount of at the ebook state of affairs or the newest liberate). Thus, all over the talk over with to Tenerife, Abreu, writer of the a success novel donkey stomach (Barret) compares the toxicity of a volcano with that of literature and vindicates the ones trades that the author has when writing isn’t sufficient: she has been a museum receptionist, a waitress, a lodge dancer, an lingerie supplier or a journalist. “For me, being a author isn’t an absolute, I don’t rule out, if it overwhelms me, going again to paintings as a gross sales clerk,” she says.

    The writer Andrea Abreu talks with Mario Obrero in the episode dedicated to Tenerife.
    The author Andrea Abreu talks with Mario Obrero within the episode devoted to Tenerife.

    In Barcelona, ​​Vila-Matas, who’s no doubt now not a tv character, fantasizes concerning the chances of lodge rooms: “They permit you to have a distinct area, trade your character, be anyone else: I’m enthusiastic about opening doorways to look what I love.” wait”. He additionally says that during those instances reaching immortality due to literature is not possible: “It’s standard to assume that the whole thing shall be forgotten.” And in Granada, García Montero talks about how the new demise of his spouse, the novelist Almudena Grandes, made him acutely aware of the vulnerability that unites us and likewise recollects how studying united the couple and made them negotiate gentle via its cycles of sunshine. Disjoint desires: “I needed to learn how to sleep whilst she had the sunshine directly to learn, and he or she to proceed drowsing after I grew to become it on at 5 within the morning to proceed studying.” And Obrero takes the chance to cite the poem A areaby way of the Asturian Berta Piñán, demonstrating that there’s a degree.

    The literary methods on TV, what a peculiar factor. In much less postmodern instances it used to be stated that the style for studying used to be at odds with the style for the “fool field”, because the software used to be referred to as. On the other hand, there were literary methods: the long-lived and impartial web page twoon Los angeles 2 since 2007, or the ones made by way of Fernando Sánchez Dragó, a debatable author, however who has almost definitely made the most efficient tv about books in Spain, with areas comparable to black on white within the 2d the white nights, in Telemadrid. Additionally the arena by way of monteragrew to become against the esoteric, the only the place Fernando Arrabal stated about “millennialism is coming”. And in truth that it has arrived. With out forgetting Kiko Matamoros, who along with being a personality in Mediaset fantasies is, in social networksan sudden and dependable literary prescriber.

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